This tragedy in the script and coupled with Dan's loss, was something no television series had done before or after this episode was made and aired in As Mike continued to slowly walk away, out of camera frame in pain and crying, Ted Voightlander did a zoom-in on the cross and then a slow pull-back, panning through the green montage of the pine trees, with the meadow, river and cross slowly shrinking in frame until Michael said, ""Cut, it's a print.
As the director of the story, this was his way of saying, ""It's over. David Rose composes and scores various motifs of his new theme ""The Big Bonanza"" throughout this story, which was formally introduced as the new theme motifs for seasons twelve and thirteen.
Rose plays the love theme variation of ""The Big Bonanza"" in the love scenes with Joe and Alice, in various guises in a very emotional and joyful score.
Rose does the somber variation of it at the funeral and in the scenes with Joe in his bedroom, getting ready to ""get some time away"", as he explains to Ben. It's heard later in the second half, in different guises, as chase and fight cues, disguised by David Rose. Rose scored an emotionally sad and mournful motif accompanying a slow zoom in by Michael's direction, holding on framed portraits of Hoss and Joe in the bedroom.
This theme accompanies Joe riding up how much will it cost to build a dating website Alice's grave at Brown's Meadow and then as he rides away, a fade to Donnell's Vista, as a slow pan across the water, with the wide landscape revealed. Joe is dissolved into the upper left frame, getting more distance and then dissolves out of frame, as the slow pan zooms in on the Dardanelle Peak and fade out.
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Best you try for one of these Russian brides. Keep your snarky comments to yourself.