During lunch, Blaine gets increasingly annoyed with Cooper's criticisms, until he has an outburst, saying that all Cooper does is tell him what he is doing wrong. There is then a flashback to Blaine and Cooper's childhood, showing their troubled relationship.
Cooper tells Blaine that despite their age gap, he wants to be closer to Blaine and Blaine nods, seemingly regretting his words. During Cooper's second master class, Blaine is visibly annoyed with the horrible advice Cooper is giving his friends.
While practicing a scene from NCISCooper's constant dating olx ahmedabad gay become too much for Blaine and they break into an argument with Blaine wondering why Cooper cannot just support him. Cooper then uses the argument as an example for the master class, which frustrates Blaine.
This unfolds after a long, unprovoked fight scene, after which solos draw out the physical blip of each strut into a complete character sketch в Carlo Villanueva, for instance, projecting a nimble blend of elegance and aggression to a rap portraying a tough sissy. With additional vocabularies ranging from classical, to postmodern breakdancing and vogue, we find ourselves amid constant physical code switching, a schizophrenic contrast to the comparatively utopian prop work.
Projections reduce loaded sentiments to pure language, allowing a similar perceptive distance as the repeated fight scene for contemplation. Fraley sings a haunting rendition of the Black National Anthem while across the back wall traverses the standard Star Spangled Banner.
It takes a moment for the juxtaposition to register, partly because nothing in either set of words about liberty actually conflicts; tensions lie fully in the associated sets of bodies.